PGA Awards Nominations Add ‘Knives Out’ to Contenders ‘1917,’ ‘Parasite,’ and ‘Joker’ The PGA Awards are the best Oscars bellwether, and nominees also include 'The Irishman'. Rian Johnson's Knives Out will close out Fantastic Fest 2019, as announced in the second wave lineup also featuring Parasite, Synchronic, and more. 'Parasite' (2019 release from South Korea; 132 min.) brings the story of the Kim family. As the movie opens, we get to know the family: they live in a semi-basement apartment, and mom and dad are out of work, and their teenage son and daughter aren't in much better shape. Feb 10, 2020 The win makes Parasite the first ever film not in the English language to take the top prize in the ceremony's 92-year history. The full, highly satisfying list of winners is below.
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Deep into Hustlers, Jennifer Lopez's Ramona spells out a familiar theme.
'The game is rigged,' she declares, 'and it does not reward people who play by the rules.'
Ramona is in the middle of justifying her own highly illegal hustle, which involves drugging strip club customers and running up their credit cards, which is to say she's hardly got a claim on the moral high ground here. But by this point in the film, it's hard not to relate to her righteous indignation.
After all, it wasn't Ramona who created the class system she lives in, or caused the recession she's suffered through, or allowed those responsible to get away scot-free. She's simply figured out the best way to win this game is to play by the real rules, the ones the guys in power live by, not the ones they tell everyone else to follow.
These films tell a story that's more complicated than rich versus poor.
![Knives Out Parasite Knives Out Parasite](/uploads/1/1/9/8/119846911/781627926.jpg)
Ramona's not the only character to have that awakening this fall. Elsewhere at the Toronto International Film Festival, Parasite balanced comedy, tragedy, and white-hot fury for a story of two families at opposite ends of the economic spectrum, while Knives Out turned its spiky wit against a clan of rich ne'er-do-wells.
Collectively, these films tell a story that's more complicated than rich versus poor. In their telling, the problem is not a single predatory individual, but a system that sorts people into rich and poor in the first place.
In Parasite, the impoverished Kim family ingratiates themselves into the employ of the well-to-do Park family in present-day South Korea. Even as the clans become intertwined, however, social and economic class remain an unbridgeable gap between them.
It's not simply a matter of one family having nicer clothes or a bigger house, though of course they do. Class infects every single aspect of their respective existences, so that even something as fundamental as water becomes an entirely different experience. In one of the most pointed jabs of the film, we cut between a poor neighborhood flooded with sewage to a rich family watching the rain outside as they reach into a fridge stocked with Voss water. The poor at the mercy of the elements, while the rich get to corral them with glass and stainless steel.
The tragedy of Parasite is that its characters are all too human, behaving in believably human ways.
But Parasite, despite its title, is not a movie about monsters. The tragedy is that its characters are all too human, behaving in believably human ways (albeit in heightened scenarios). But money or the lack of it has shaped them in ways big and small. Letter box for metal gates outdoor. Generosity and naiveté are luxuries of the rich, cunning and selfishness are the tools of the poor, and an inability to empathize with others is the unavoidable consequence of a capitalist system in which the only way to get to the top is by stepping on everyone else.
The characters of Hustlers could probably relate. Set around the time of the 2008 financial crisis, the film draws a clear line between the greedy bankers who broke the law and preyed on innocents to fill their own coffers, and the strippers who are doing the same to them. The male club patrons see these women as lust objects, while the strippers see their clients as marks. It's not personal. It's just business.
What writer-director Lorene Scafaria understands, though, is that the two groups are not on even playing ground. At one point, Destiny (Constance Wu), Ramona's partner-in-crime, asks a journalist (Julia Stiles) who grew up 'comfortable' what she'd do for a thousand dollars. It's a rhetorical question, but a telling one reminding us how the value of a dollar can change depending on where you are on the ladder.
Knives Out Parasite Movie
SEE ALSO: 'Hustlers' is an unapologetically good time with a powerful message
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A thousand dollars to Destiny and Ramona represents independence, security, the promise of a better life for themselves and their loved ones. A thousand dollars to the clients they're bilking is a drop in the bucket, an amount so trivial they can afford to chalk it up as a fun mistake. Hustlers neither condones nor condemns Ramona and Destiny's behavior, but frames it as a reflection of the system we're all trapped in.
Knives Out, on the other hand, wonders whether it's possible to exit the rat race altogether. Written and directed by Rian Johnson, the modern-day mystery turns on the question of who killed millionaire patriarch Harlan Thrombey (Christopher Plummer), and why. It's a story that comes at class difference from the other side of the equation. Instead of asking what a person without money might do to get some, Knives Out explores what people who already have money will do to hold onto it.
Most of the characters (and most of the suspects) are members of Harlan's own family. Their lives have been defined by their access to his money, even when they themselves don't seem to realize it. They build businesses 'from the ground up' by taking out million-dollar loans from him, or preach liberal values learned at expensive colleges that he's paid for.
They are a self-satisfied lot, but their smugness doesn't hold scrutiny when viewed from the perspective of some of the outside characters, like Marta (Ana de Armas), Harlan's nurse, or Blanc (Daniel Craig), the PI on the case. Through them, we see how money has warped these people and their relationships, how it's rendered them petty and pathetic, and we come to wonder if there might be a better way.
If that take on the comfortably rich sounds familiar, that may be because it echoes other recent tales like this summer's Ready or Not or HBO's Succession and Righteous Gemstones. It's not just the ultra-rich coming under fire, either — Hustlers and Parasite share more than a little common ground with recent films like Us, High Flying Bird, and The Last Black Man in San Francisco.
As different as these narratives are, all share an emphasis on the inhumanity of a zero-sum game that requires prosperity to come at the expense of others, and reduces the losers to pawns or tools or mere inconveniences. The rich are often the villains, yes, and several of these stories find tremendous fun in taking them down. But these storytellers have their eyes on a bigger prize.
The unofficial 'class warfare' theme of TIFF may not have emerged by design, but it'd be too flippant to call it a coincidence. It's part of a piece with a larger conversation happening right now, playing out in everything from politics to pop culture. Ramona is right: The game is rigged. And by pointing that out in no uncertain terms, these films are making the first steps toward setting it right.
'Split Shot'
Knives Out Parasites
Item ID
5.100.104
![Parasite Parasite](/uploads/1/1/9/8/119846911/183868663.jpg)
Character Appearance
Tear Appearance
Collection Grid(page 1, column 1, row 6)
Unlock Method
Pick up any 2 of the following items in a single run: , , ,
Pick up any 2 of the following items in a single run: , , ,
The Parasite is an unlockable passive item.
Effects[edit | edit source]
- Tears that deal more than 1.0 damage split into two tears with half damage and half remaining range on impact with obstacles or enemies.
- Damage less than 1.0 causes the tears to simply disappear.
- The splitting can keep up as long as the tears have range remaining and the damage of the split tears stays above 0.5.
- Split tears are scaled down by 0.5x from the parent one, ignoring damage based size reduction.
Synergies[edit | edit source]
- : All tears split by the prism will burst into split tears when hitting obstacles.
- : Two further explosions appear perpendicular to the head's direction of travel when it blows up.
- : Both tear split effects happen simultaneously.
- /Spectral tears: When tears pass through solid objects, like rocks, they will split, resulting in many tears shooting out from every rock the original tear passed through.
- : Two groups of this item's four tears, creating eight additional miniature tears on every point of impact instead.
- : Bombs split into two bombs upon detonation.
- : Every time tears bounce, burst tears spawn.
- : Fed tears split into 12 tears. When tears are minimally fed and hit an obstacle, they will split into 5 Lachryphagy burst tears and Parasite burst tears.
- /: All tears in tear barrage will burst into split tears when hitting obstacles or enemies.
- : Repeatedly spawns miniature tears when on top of an enemy, greatly increasing damage.
- Piercing tears: Split tears form for each hit as the tears pass through the enemies.
- : The split tears will continue to orbit Isaac, increasing damage potential.
- : The split tears will be forced directly forward, impacting whatever caused the first tear to split. This increases damage immensely.
- If all shots connect, effective damage will be multiplied by 2 + log2(damage).
- : When beams hit obstacles, the beam will split; the split beams can split again when hitting other obstacles.
- : 2 beams will be fired perpendicular to the main beam at the closest point of intersection with an enemy or obstacle.
Interactions[edit | edit source]
- : Overrides The Parasite.
- : Brimstone splits one time when hitting the wall.
- : No effect.
- : Bombs turn orange and with no other effect.
- : Overrides The Parasite.
- : The Ipecac tear will spawn two smaller explosive tears when it collides with a solid object, but not with an enemy. These tears can spawn tears on their own as well, potentially leading to huge chain reactions. Having or is strongly recommended.
- : Drastically decreases range making it less likely for tears to split. The stone will not split.
- : Knife turns orange with no other effect.
- Knife splits into two smaller, perpendicular knives on hitting an enemy.
- : Tears only split when hitting enemies and no longer off the wall or most obstacles.
- : Without any damage increases, Soy Milk tears deal under 1.0 damage and cannot split until the situation is rectified with other items.
- : Overrides The Parasite.
- Laser splits into two perpendicular beams upon hitting an obstacle.
- : Overrides The Parasite.
In-game Footage[edit | edit source]
Seeds[edit | edit source]
Sync iphone contacts to google account. PC FR6X 2BGZ (Room adjacent to spawn)
PC ZF2M AQ7K (Room adjacent to spawn)
PS4 XX1T QXN1 (Room adjacent to spawn)
Vita NZ7X G61B (First floor Treasure Room)
Switch 7NN1 6CZS (Starting item as Eden)
Switch GB8R QPMY (First Golden Treasure Room)
Knives Out Parasite Review
Knives Out House
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